Profil użytkownika michael-osullivan

michael-osullivan opublikował(a) recenzję filmu: michael-osullivan

The Attack (2012)

On one level, The Attack is a mystery, but not the kind you think. It’s obvious from the start who detonated the bomb; the only question is why. It’s a question that probably cannot be an... Przeczytaj recenzję
michael-osullivan opublikował(a) recenzję filmu: michael-osullivan

The Purge (2013)

i 1 inne zdjęcie
The people of 2022 may “release the beast” by slaughtering their fellow Americans. In 2013, that’s still what we go to the movies for. Przeczytaj recenzję
michael-osullivan opublikował(a) recenzję filmu: michael-osullivan

After Earth (2013)

You can’t blame Will Smith for wanting to give his son a leg up in the business. Maybe one day Jaden will have his father’s career — and his ability to carry a movie. For now, it’s a litt... Przeczytaj recenzję
michael-osullivan opublikował(a) recenzję filmu: michael-osullivan

Epic (2013)

Enormously visually appealing, even if the story itself is almost unrecognizably bloated. Przeczytaj recenzję
michael-osullivan opublikował(a) recenzję filmu: michael-osullivan

The Hangover Part III (2013)

To make matters worse, this third “Hangover” is dull. Przeczytaj recenzję
michael-osullivan opublikował(a) recenzję filmu: michael-osullivan

The Reluctant Fundamentalist (2013)

The Reluctant Fundamentalist will likely make some people mad because of the way it holds the United States responsible for the repercussions of its actions in the world. Like Changez him... Przeczytaj recenzję
michael-osullivan opublikował(a) recenzję filmu: michael-osullivan

To the Wonder (2012)

i 4 inne zdjęcia
Clocks in at close to two hours. It feels much longer. By comparison, Malick’s World War II epic “The Thin Red Line” tipped the scales at a whopping 170 minutes. But at least that 1998 fi... Przeczytaj recenzję
michael-osullivan opublikował(a) recenzję filmu: michael-osullivan

Upside Down (2012)

i 1 inne zdjęcie
In Upside Down, writer-director Juan Solanas takes the gimmick about as far as it can go, rendering the metaphor of longing and separation in effective, and richly visual, terms. If anyth... Przeczytaj recenzję
michael-osullivan opublikował(a) recenzję filmu: michael-osullivan

Snitch (2013)

Snitch is protein-and-starch filmmaking at its utilitarian -- and belly-filling -- best. Johnson brings the steak; Bernthal the sizzle. The father-son drama is served up as sauce on the s... Przeczytaj recenzję
michael-osullivan opublikował(a) recenzję filmu: michael-osullivan

Beautiful Creatures (2013)

His screenplay for Beautiful Creatures is sharp and witty, considering the needlessly complicated source material. His cast is stellar, and the chemistry between his young stars magical. ... Przeczytaj recenzję